LOWERCASE LOOPY CURSIVE FONT LICENSE
LOWERCASE LOOPY CURSIVE FONT PLUS

When on the phone, I use the NATO phonetic alphabet to spell out difficult information like license plate numbers, part numbers, and my own name. When communicating exact text in a document, I typeset it in a fixed-width font like Courier New or Consolas so that all the characters can be accurately read. These precise communication habits extend to more than just my handwriting. I adhere to these rather strictly when writing individual symbols, but less strictly when writing complete words or sentences. (I use a faster version of lowercase `z` when writing text.) When using `z` or `Z` as symbols, I draw `z` with a cross-stroke to distinguish it from `2`.Lowercase `x` is written with curvy strokes so as not to be confused with a multiplication symbol, `×`.`u` gets an exaggerated round bowl and a distinct stem.

LOWERCASE LOOPY CURSIVE FONT PLUS

Lowercase `t` picks up a distinct, round tail, so it looks different from the plus symbol `+`.

`S` and `s` are written with very exaggerated round curves so they can’t be mistaken for a `5`.

Lowercase `l` is drawn either with a loopy bit or with two serifs, which distinguish it from the numeral `1`.

Uppercase `I` gets large top and bottom strokes to distinguish it from lowercase `l` and numeral `1`.

Uppercase `G` gets a definite angular stem to distinguish it from capital `C`.

Lowercase `f` is a loopy affair, so it can’t be confused with lowercase `t` or plus symbol `+`.

Lowercase `i` is drawn with two little serifs, which makes it distinct from a lazy man’s `1` or `l`.

`0` is drawn with a slash mark to distinguish it from the letter `O`.

`7` has a cross-mark on it to distinguish it from the `1`.

`5` has distinct angular corners, so you can’t confuse it for a letter `S`.

`2` has a distinct loop on it to distinguish it from lowercase `z`.

`1` is drawn with cap and base strokes to distinguish it from the lowercase L (`l`).NumeralsĪll of my numerals are very distinct from each other and from easily confused letters. In both of these communications tasks it’s vital that every number and letter is 100% legible. As such, it’s interesting to look at how I have trained myself to write in these situations. Another part of my job involves using a red pen to make corrections on technical drawings. One part of my job involves hand-writing calculations on bits of paper that will be read by other people.

Lowercase loopy cursive font